A house is a hollow object. An empty house naked memories of its inhabitants. An abandoned house is the summer of nature. A house without you is the appearance of your absence. Is entering its ghostly embrace, in his deepest fear. A house with me here is that it will or not, and the cafe and the symphony will be finished and out the rain will stop falling, the night disappear. A house that is showing me what would be a future without you. A home sad, too beautiful. A house that I dare not pass beyond the staircase landing, space studies, the futon without the wrinkles in the sheet to let sit. That's right. Your absence was deliberate. It seems you cleaned all your presence. Dust and wind and your breath be that these spaces are gone. Is your house twice without you. While looking at your things: your red purse, your pots perrier, your basket of postcards rescued from a sinking city, your bags, your books arranged in chromatic scales, your computer, your refrigerator full of Orangina. Maybe your hair removed ant the floor, the last vestige of you were here at this table layered blue writing. As I look you in this order that has your absence. Your shoes are not disengaging stroke geometric tiles, there are your papers scattered stabilo your feathers scattered around, not the resonating box of your smile, you're not. It seems to fit everything so you will not find, not find your tenderness wrapped in the chair, your beauty, your tall, your neck fine dispersed at some point in this house. Not, it seems that I write with this provision from where you are. Your house is a small world without you trod. Stir in the page, let it all go past his place, let the traffic is less heavy. At least I'd let the barking of dogs in the street, the howl of machinery, nothing. Only a huge roar in the sky. Only this symphony that is languishing. Only the half-cup coffee. Only these mediocre noise of the rain: without force, without you too. Only this house I get a free sample of your presence, not to find traces of yours, to enlarge absences. Still I wait, accurate, hunched in the blue table.
Memories Anaclitic Psychoanalytic
Monday, May 23, 2011
Saturday, May 21, 2011
Desert Eagle Legal In Nj
MOVING (UP THEN POEM)
I have no why I'm giving up.
The flight lines are two-way road.
Go and come back here and there.
Each kick is followed by two hugs,
three routines for a surprise.
need both tears of laughter
as the smiles of sadness.
The verb talk is empty without a glance,
we already know that we combine blablabla,
and also nor
.
What if the words are dressed in carnival
eyes take away the masks.
a reflection of moving water
I can restore lost consciousness.
That is good to escape and fled toward
platitudes
of blind alleys.
addition, today there has to be like yesterday,
but if photocopying, and will arrive tomorrow
to see
opaque mirrors who we are,
who I am,
if today is the day
that will change the world.
Because the world fits in a head.
Listen if the motion of the tides
in the bustle of the dark.
I have no why I'm giving up.
The flight lines are two-way road.
Go and come back here and there.
Each kick is followed by two hugs,
three routines for a surprise.
need both tears of laughter
as the smiles of sadness.
The verb talk is empty without a glance,
we already know that we combine blablabla,
and also nor
.
What if the words are dressed in carnival
eyes take away the masks.
a reflection of moving water
I can restore lost consciousness.
That is good to escape and fled toward
platitudes
of blind alleys.
addition, today there has to be like yesterday,
but if photocopying, and will arrive tomorrow
to see
opaque mirrors who we are,
who I am,
if today is the day
that will change the world.
Because the world fits in a head.
Listen if the motion of the tides
in the bustle of the dark.
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